- High Image Quality featuring a New 45 Megapixel Full-frame CMOS Sensor.
- DIGIC X Image Processor with an ISO range of 100-51200; Expandable to 102400x1.
- High-speed continuous shooting of up to 12 fps with Mechanical Shutter and up to 20 fps electronic (silent) shutter.
What is the best video lens for Canon R5?
DSLR and mirrorless camera have replaced most of the consumer video camera market. The Canon R5 is part of these cameras that are perfect for video makers, if equipped with the right lens. Which lens should you buy for your video projects ? We prepared for you some tips on the best lenses to get depending on the kind of shots you want to achieve.
What to look for in a video lens ?
Even if some lenses are branded for a specific use in video, you can actually use pretty much any lens for your shootings, even some old school prime lenses. The rules of video making are only there to be transgressed. But generally, videographers may want to have fast and quiet autofocus, as it will take out the need for an expensive follow-focus on moving subjects. Having the brightest lens possible is a big plus for this sweet shallow focus. Finally, stabilized lenses, despite being more expensive, will always be better for a versatile use. As for the rest, follow our guidelines below!
The best video lens for a cinema look
When we talk about cinematic looks, we mostly refer to this classic cinema feel, with little to no distortion. Don’t look further, you need a prime 50 mm lens. This focal length gives results close to the human vision, and are widely used in the industry. Some are pretty affordable, but the stabilized ones will be a tad more expensive. If you have a consequent budget, we recommend you to have a look at anamorphic lenses, which will give you these beautiful lens flares and add to the overall feel.
The best video lens for run and gun
Run and gun is popular for vlogging, skateboard videos, or documentaries. For this setup, you need to be able to just grab your camera and start shooting. A wide angle lens is perfect for this use. 25 mm to 35 mm is good for a versatile use, but you can also go below and go for a fisheye look for these extreme distorted close-ups.
The best video lens for landscapes
Landscapes and cityscape shots are perfect to set your characters in their environment. As for pictures, you may want to invest in either a telephoto lens, or a zoom lens. 70 mm to 90 mm is usually a good range of focal length, but you may want to go beyond if you try to shoot remote locations.
The best all-rounder video lens
If you are on a budget, or want to get as much room as possible for your shots without changing lenses, zoom lenses are a solid bet. A 35-70 mm is perfect to get close-ups as well as scenery shots. Be aware that most affordable zoom lenses are not very bright, so you may need to work around their limitations or have to break your piggy bank.
Note: the product links in this article lead to Amazon.com
Must-have video lenses for filming with the Canon R5:
Canon RF 24-105mm f4L IS USM
Weight: 700 g
Filter size: 77 mm
This versatile zoom is sometimes offered as an entry kit lens. Perfect for shooting all kinds of scenes such as streets, portraits or landscapes, with a minimum focusing distance of 45 cm, its 5-speed stabilizer and USM engine, it’s a balanced, robust and waterproof tool. Responsive and space-saving, it avoids frequent optical changes and its constant maximum aperture at f/4 makes it bright. In manual mode, the distances are displayed in the viewfinder. Once again, the great novelty is the increased reactivity and sharpness of the image resulting from the 54 mm frame and its 12-pin connectors.
All the lenses of the RF range are designed in this way and represent tools for the future. A new control ring at the end of the lens allows the assignment of functions such as aperture, exposure compensation, shutter speed, etc. In video, fluidity is also ensured. Note that a zoom lock button is available for transporting the camera.
- Compact, high-quality Lens with broad zoom range for the EOS R system
- Bright, constant f/4.0 zoom Lens
- First L-Series Lens with Nano USM
Canon RF 15-35 mm f/2.8 L IS USM
Weight: 840 g
Filter size: 82 mm
Perfect for wide angle shots, the Canon RF 15-35 mm f/2.8 is a fantastic lens if you want to shoot landscapes, real estate or even make vlogging or wedding videos. It delivers crisp images with great detail. It has an effective optical stabilization, which is extremely useful for filmmakers in order to remove a lot of the micro jitters.
Autofocus performance is fantastic, it’s fast, quiet and accurate. Quality construction is excellent, it doesn’t feel cheap. It’s also possible to add filters.
Even if it’s relatively light weight for a stabilized f/2.8 zoom, it’s still quite big and heavy so that might be a problem depending on your gimbal. It’s an expensive lens but that’s the best native wide angle lens for Canon R5.
- High image quality and bright f/2.8 wide-angle zoom RF L lens
- Optical image stabilization of up to 5 Stops* of shake correction
- High speed, smooth and quiet auto focus with Nano USM
Canon RF 35mm f/1.8 Macro IS STM
Weight: 305 g
Filter size: 52 mm
Compact lens, this 35 mm 305 g lens has a maximum aperture of f/1.8 and a minimum aperture of f/22. It allows a focus at 17 cm and offers a reproduction ratio close to 1:2. We get a beautiful bokeh and its optical stabilization system compensates up to 5 EV. The STM engine provides smooth transitions that are highly appreciated for videos. It is also equipped with a ring to be set which is close to the one used for focusing. There can be confusion between the two despite their different finishes.
As with the other lenses in the range, the distance scale is displayed on the viewfinder. However, it has a vignetting with a large diaphragm aperture. The cheapest in the RF range, it’s not waterproof.
It’s a lens that allows you to take sharp images and its versatility is appreciated. Very useful for street situations, portraits or close-ups videos, its small size makes it a very popular tool. It’s delivered with a sun visor.
- Compact macro Lens with 0.5x Magnification Ratio
- Minimum Focusing Distance of 0.56 ft. ; 0.17M
- Control Ring for direct setting changes
Useful accessories for video
Here is a small selection of extra tools you’ll need with your your Canon R5 to make your video shooting easier and improve the quality of your projects:
If you are wondering what is the best video lens for the Canon R5, you should think in advance about the types of videos you plan to shoot mainly: sporting events, weddings, vlogging… Think about the focal lengths you’ll need for that.
You can also go on Youtube, type in the name of the lens you want and you should find plenty of test footage made with your Canon R5 and the specific lens you want. This will give you an idea of what equipment you will need to get.
Also, if you plan to do a lot of travel videos or travel vlogs, take into account the total weight with the camera body and the lens. If the whole thing is too heavy or bulky and lacks discretion, you won’t want to bother with it and would rather just shoot videos with your smartphone. You may also not want to risk damaging an extremely expensive lens.
And finally, perhaps the most decisive point about choosing the perfect video lens for your Canon R5 will be if you want to have professional quality videos.
☛ USEFUL LINKS
- For more video lenses options, check this out: The best lenses for Canon R5
- Canon R5 reviews round-up: should you buy it?
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