- New 30.4 Megapixel full-frame CMOS sensor for versatile shooting in nearly any light, with ISO range 100-32000; expandable up to 50-102400 (equivalent ISO).
- 4K Motion JPEG video (DCI cinema-type 4096 x 2160) at 30p or 24p; in- camera still frame grab of 4K 8.8-Megapixel images; multiple video options include Full HD up to 60p, and HD up to 120p.
- Superb Dual Pixel CMOS AF for responsive and smooth AF during video or live view shooting; LCD monitor has a full touchscreen interface, including selection of AF area.
What is the best video lens for Canon 5D Mark IV?
DSLR and mirrorless camera have replaced most of the consumer video camera market. The Canon 5D Mark IV is part of these cameras that are perfect for video makers, if equipped with the right lens. Which lens should you buy for your video projects ? We prepared for you some tips on the best lenses to get depending on the kind of shots you want to achieve.
What to look for in a video lens ?
Even if some lenses are branded for a specific use in video, you can actually use pretty much any lens for your shootings, even some old school prime lenses. The rules of video making are only there to be transgressed. But generally, videographers may want to have fast and quiet autofocus, as it will take out the need for an expensive follow-focus on moving subjects. Having the brightest lens possible is a big plus for this sweet shallow focus. Finally, stabilized lenses, despite being more expensive, will always be better for a versatile use. As for the rest, follow our guidelines below!
The best video lens for a cinema look
When we talk about cinematic looks, we mostly refer to this classic cinema feel, with little to no distortion. Don’t look further, you need a prime 50 mm lens. This focal length gives results close to the human vision, and are widely used in the industry. Some are pretty affordable, but the stabilized ones will be a tad more expensive. If you have a consequent budget, we recommend you to have a look at anamorphic lenses, which will give you these beautiful lens flares and add to the overall feel.
The best video lens for run and gun
Run and gun is popular for vlogging, skateboard videos, or documentaries. For this setup, you need to be able to just grab your camera and start shooting. A wide angle lens is perfect for this use. 25 mm to 35 mm is good for a versatile use, but you can also go below and go for a fisheye look for these extreme distorted close-ups.
The best video lens for landscapes
Landscapes and cityscape shots are perfect to set your characters in their environment. As for pictures, you may want to invest in either a telephoto lens, or a zoom lens. 70 mm to 90 mm is usually a good range of focal length, but you may want to go beyond if you try to shoot remote locations.
The best all-rounder video lens
If you are on a budget, or want to get as much room as possible for your shots without changing lenses, zoom lenses are a solid bet. A 35-70 mm is perfect to get close-ups as well as scenery shots. Be aware that most affordable zoom lenses are not very bright, so you may need to work around their limitations or have to break your piggy bank.
Note: the product links in this article lead to Amazon.com
Must-have video lenses for filming with the Canon 5D Mark IV:
Canon EF 24-70mm f/2.8L II USM
Weight: 805 g
Filter size: 82 mm
If you are looking for a versatile lens that can do both landscape and portrait videography, then the Canon 24-70mm is for you. Its build quality is excellent, it’s tropicalized with a superb finish and a good grip (it’s an L-series lens after all). It delivers impressive image quality, comparable to what you can get with a fixed focal length, which is pretty amazing for a zoom. The fast f/2.8 aperture across the entire focal length range provides wonderful depth of field, its very short focusing distance makes for interesting shots, and its USM-based autofocus is responsive and quiet and will be great for filmmaking.
In short, this is a lens primarily for pros or enthusiasts who want a lens that can be used every day. It’s close to perfection despite some minor optical flaws (a bit of vignetting and distortion), a rather high weight, the absence of integrated optical stabilization and a hefty price tag. But if you can afford it, you’lle be more than happy of the results you will get.
- 24 70 millimetre focal length, 38.4 112 millimetre equivalent focal length on Canon APS C cameras
- F2.8 constant maximum aperture; F22 minimum, ring type ultrasonic type AF motor with full time manual focusing
- 82 millimetre filters, closest focusing distance: 0.38 meter/1.25 feet
Canon 16-35mm F2.8 L III
Weight: 790 g
Filter size: 82 mm
A wide angle lens that is a technological showcase for Canon, it is so good! Let’s talk about the positive points: it delivers amazing quality images with a lot of details, it’s tropicalized, comfortable to hold, the autofocus is fast and its focal length is relatively versatile.
On the negative side, the price is really high, it’s heavy and not stabilized… and that’s it.
If you can afford it and you need to shoot professional videos, go for it! If you don’t have the budget, you should know that the version II is lighter (640g), more compact and especially cheaper, but the image quality is not as good.
- High performance L-series ultra-wide-angle zoom lens with constant f/2.8 maximum aperture.
- All-new optical design for significant improvements in outer and corner sharpness.
- Sub wave length Coating (SWC) and Air Sphere Coating (ASC) help to significantly reduce flare and ghosting.
Canon EF 24 mm f/1,4 L II USM
Weight: 650 g
Filter size: 77 mm
One of the best if not the best 24mm available for the Canon 5D Mark IV. With its large f/1.4 aperture, this Canon EF 24mm f/1.4 is ideal for reportage, landscape, real estate, or low light night events.
The bokeh is nice, the focus is fast, the build quality is very good, it’s stabilized, the images are full of details… Although it is quite expensive, the price is justified by the quality of the elements used for its internal design.
- Lens not zoomable
- Minimum focus Distance is 0.8ft
- Focal Length -24 mm
Useful accessories for video
Here is a small selection of extra tools you’ll need with your your Canon 5D Mark IV to make your video shooting easier and improve the quality of your projects:
If you are wondering what is the best video lens for the Canon 5D Mark IV, you should think in advance about the types of videos you plan to shoot mainly: sporting events, weddings, vlogging… Think about the focal lengths you’ll need for that.
You can also go on Youtube, type in the name of the lens you want and you should find plenty of test footage made with your Canon 5D Mark IV and the specific lens you want. This will give you an idea of what equipment you will need to get.
Also, if you plan to do a lot of travel videos or travel vlogs, take into account the total weight with the camera body and the lens. If the whole thing is too heavy or bulky and lacks discretion, you won’t want to bother with it and would rather just shoot videos with your smartphone. You may also not want to risk damaging an extremely expensive lens.
And finally, perhaps the most decisive point about choosing the perfect video lens for your Canon 5D Mark IV will be if you want to have professional quality videos.
☛ USEFUL LINKS
- The best accessories for Canon 5D MIV
- Canon 5D Mark IV reviews round-up: should you buy it?
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